Bach, Johann Sebastian. "Cello Suite No. 1." International Music Score Library
Project. N.p., n.d. Web. 22 Feb. 2015. <http://petrucci.mus.auth.gr/
imglnks/usimg/8/87/IMSLP36903-PMLP04291-Bach-BWV1007klengel.pdf>. It’s
got mechanical simplicity (that same little melody repeating over and over)
but at the same time it’s tinged with this heavenly, otherworldly aura.
Beethoven, Ludwig Van. "Symphony No.9, Allegro Molto Assai." International Music
Score Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://conquest.imslp.info/files/imglnks/usimg/8/8b/
IMSLP00099-Beethoven_Symphony_No.9_Mov.4.pdf>. Up until around this
point in time, music was generally boring and could be quite like just
background noise for parties and things, but Beethoven was a strong
beginning to the Romantic Era. He inserted his soul into his works, and you
can tell in this piece, how there is more emotion.
Mozart, Johannes Chrysostomus Wolfgangus Theophilus. "Symphony No. 40."
International Music Score Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://javanese.imslp.info/files/imglnks/usimg/1/1a/
IMSLP00072-Mozart_-_Symphony_No_40_in_G_minor__K550.pdf>. The 40th has
been interpreted as being everything from exceptionally light and
graceful, to dark and full of emotion.
Tchaikovsky, Pyotr Ilyich. "The Nutcracker Suite." International Music Score
Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://javanese.imslp.info/files/imglnks/usimg/0/01/
IMSLP231707-SIBLEY1802.18390.9bd0-39087009433006score.pdf>. Tchaikovsky
is a member of the late romantic era. You can tell that there is a
difference from the early romantic era to the late romantic era; they begin
to use bigger orchestras, have more colorful music, and begin to experiment
with non-regular time signatures or newer types of instruments. Tchaikovsky
in particular, has music that is very modern-like, and you could probably
even hear his music in modern day film scores.
Vinci, Leonardo. "Parto Ma Con Qual Core." International Music Score Library Project. N.p., n.d. Web. 7 Dec. 2014. <http://javanese.imslp.info/files/imglnks/usimg/7/7d/IMSLP339099-PMLP547098-0078960.pdf>. Overall, the music from the Renaissance era seems much less complex in the way that there are not that many really interesting things happening in the piece like there would be in Vivaldi.
Project. N.p., n.d. Web. 22 Feb. 2015. <http://petrucci.mus.auth.gr/
imglnks/usimg/8/87/IMSLP36903-PMLP04291-Bach-BWV1007klengel.pdf>. It’s
got mechanical simplicity (that same little melody repeating over and over)
but at the same time it’s tinged with this heavenly, otherworldly aura.
Beethoven, Ludwig Van. "Symphony No.9, Allegro Molto Assai." International Music
Score Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://conquest.imslp.info/files/imglnks/usimg/8/8b/
IMSLP00099-Beethoven_Symphony_No.9_Mov.4.pdf>. Up until around this
point in time, music was generally boring and could be quite like just
background noise for parties and things, but Beethoven was a strong
beginning to the Romantic Era. He inserted his soul into his works, and you
can tell in this piece, how there is more emotion.
Mozart, Johannes Chrysostomus Wolfgangus Theophilus. "Symphony No. 40."
International Music Score Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://javanese.imslp.info/files/imglnks/usimg/1/1a/
IMSLP00072-Mozart_-_Symphony_No_40_in_G_minor__K550.pdf>. The 40th has
been interpreted as being everything from exceptionally light and
graceful, to dark and full of emotion.
Tchaikovsky, Pyotr Ilyich. "The Nutcracker Suite." International Music Score
Library Project. N.p., n.d. Web. 22 Feb. 2015.
<http://javanese.imslp.info/files/imglnks/usimg/0/01/
IMSLP231707-SIBLEY1802.18390.9bd0-39087009433006score.pdf>. Tchaikovsky
is a member of the late romantic era. You can tell that there is a
difference from the early romantic era to the late romantic era; they begin
to use bigger orchestras, have more colorful music, and begin to experiment
with non-regular time signatures or newer types of instruments. Tchaikovsky
in particular, has music that is very modern-like, and you could probably
even hear his music in modern day film scores.
Vinci, Leonardo. "Parto Ma Con Qual Core." International Music Score Library Project. N.p., n.d. Web. 7 Dec. 2014. <http://javanese.imslp.info/files/imglnks/usimg/7/7d/IMSLP339099-PMLP547098-0078960.pdf>. Overall, the music from the Renaissance era seems much less complex in the way that there are not that many really interesting things happening in the piece like there would be in Vivaldi.